
| that to be honest about sex one has to
be
dark and brutal and mean. Klam proves that the truth, even if unvarnished, is
more nuanced than four-letter words (or the seven-letter gerundial forms
thereof). His stories, about my friends (I am almost sure they are about my
friends), pierce and leap, are always bitingly funny, and are so, so alive.
Alive. Good lord. I hope everyone reads this goddamn book, because Klam is
telling the truth while almost no one else is."
David Eggers
collection. The stories are brilliantly
constructed. Great voices. Great point of view. They make me think. Très
'slanky.'"
Alice Elliott Dark
had me riveted. He is a writer
who somehow manages to make wayward, confused, opinionated, often
irritating, often angry characters hilarious and fascinating and human. Klam
is unafraid to show us in all our sex-obsessed pettiness and our
love-obsessed vanity. He writes with a bracing freshness and originality
about undazzling subjects and makes them shine. I can't stop reading him. I
hope I never have to."
Susan Minot
through the warped hearts of
Klam's narrators. A wild debut from a gifted writer."
Junot Dìaz
and thought
patterns as few writers can, Klam practically channels his protagonists, allowing them to inhabit him rather than the
other way around.... Throughout the collection, Klam demonstrates his mastery of the fine art of irony, exposing
the nerve endings of his complex, often tormented, sometimes funny, characters, while allowing the reader to make
his or her own judgments."
Publishers Weekly
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the truth about relationships.... Klam writes provocatively of sex and violent fantasies fired by
frustration and inner emptiness.... Klam's observations are so astute that single people, even those who wish they weren't , will at
least for a time breathe a sigh of relief that they're alone."
USA Today
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unexpected outbursts, embarrassing insights and oddball
revelations rendered in agile sentences that turn on a dime,
from sweetness to obscenity, from comedy to cruelty. It's a
riveting, honest and unvarnished voice that sounds like no
one else's."
Los Angeles Times
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"
The New York Times
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in fiction... Klam
writes in a plain-speech style about sex and love and
money (don't let's confuse the three) with an energy
and an immediacy that few other writers possess.... Like the
stories of Salinger and Cheever, these will
doubtlessly be remembered as a chronicle of their
time, place and class. Few short story writers are
funnier than Klam. Few are so horribly true."
Esquire
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of its own, thanks to Klam's wonderful
eye for detail, his ability to find the perfect word or phrase at all times and the
precision with which he repeatedly nails the fragile braggadocio of the modern
American male."
San Francisco Chronicle
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with his debut collection.... The brilliance of the book lies in its inexplicably original narrative voice. You have never read anyone who puts sentences together in exactly this way. No matter how boorish the behavior of the
characters becomes, you simply cannot stop reading."
Washington Times
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breathtaking.... Klam goes... deep into the darkened heart of the modern American male.... Funny, surprising and often fearless."
San Diego Union-Tribune
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of the great New
Yorker minimalists... A lot of writers work that "natural" style, but they retain their tin and academic ear.
Klam is spot-on, he's genuinely funny, as opposed to "book-funny," and he's actually
relevant the way, say, Don Delillo is relevant."
Baltimore Sun
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Klam nails what it means to be a heterosexual man
in America today.... Again and again, Klam's men wage the battle between horniness
and love with depressing, hilarious, and, well, honest results.... The kudos are justified -- Sam the Cat is a remarkable debut."
The Austin Chronicle
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think about such things as failure,
anxiety, and the way they like their female attributes... The story that closes this ruthlessly insightful debut,
"European Wedding," reveals that Klam has a major bead on women."
Harper's Bazaar
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I ever read was so good, I almost
passed out. Published in an old issue of the New Yorker, it's about a guy,
his girl, their abortion, and an uncooked chicken. I can only compare
Matthew's writing to long letters from male best friends--the kind replete
with matter-of-fact, naked, sometimes-vulgar details about life, love and
women. The abortion/chicken story is called, "There Should Be A Name for It,"
and is included in Sam the Cat, Matthew's first collection of short stories.
Read it."
Jane
the author into the spotlight when it ran in The New Yorker, a guy goes
out looking to get laid, then finds himself hitting on a man in drag.... His taut, spooky prose recalls another connoisseur of erotic
disappointment, Lorrie Moore. But where Moore is partial to neurotic women, Klam's subject is the guy who
wishes he could transcend himself and be redeemed from the small and angry America in which he's stuck."
Amazon.com
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in our tracks. It's even more rare when a book has us on page 33 before
we've realized that we're standing like a moron on the
subway platform and three trains have passed us by.... Matthew Klam's
debut collection of short stories... is the most riveting thing we've picked
up in some time... a voice that is
remarkably dead-on, crass yet poetic, never frilly, funny,
self-mocking and profoundly human."
Daily Candy
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